PUBLICATIONS
BOOKS/ BOOK CHAPTERS & REPORTS/ JOURNAL ARTICLES (SELECTED)
- Lim, B. (2021). Coronavirus Disruptions to the Private Higher Education Sector in Malaysia. In K. Bista, R. Chan, A. Ryan, & J. Mckeown (Eds.). Global Higher Education During COVID-19: Policy, Society, and Technology. STAR Scholars.
- 林國偉，樊靜怡，解柯楊 ( 2021)「香港文化創意產業發展報告」。主編 葉朗，向勇《中國文化產業發展報告（2020～2021）》，227-241。 社會科學文獻出版社。
- 林國偉，楊儒，錢偉嫻 ( 2021)「香港文化創意產業發展報告」。主編 葉朗《中國文化產業年度報告2019》，283-293。 北京大學出版社。
- Lim, B. (2020). Cultural Tourism as a Way Forward – A Critical Evaluation of Top-down Tourism Management in Malaysia. Assumption University eJournal of Interdisciplinary Research, 5(1), 1-11.
- Lim, B. & Ser, S. H. (2020). Cultural Management Education in Southeast Asia. International Journal of Indonesia Education and Teaching, Vol. 4(1), 10-25. DOI: https://doi.org/10.24071/ijiet.2020.040102
- Lim, B., & Soetantio, R. (2019). The Sail Model - Professional Pathways for UI/UX Designers in the Digital Age. Southeast Asia: A Multidisciplinary Journal, vol. 19, 86-94. UBD FASS.
- Lim, B. (2019). Postmodern Approach to Curating and Managing Arts Festivals in Global Cities. In W. Byrnes & A. Brkic (Eds.), The Routledge Companion to Arts Management . Routledge. DOI: 10.4324/9781351030861-18
- Cheng, M., Chou, W.I.R., & Lim, B. (2019). Fundraising Classical Music – Case Studies from Hong Kong and Macau. In W. Byrnes & A. Brkic (Eds.), The Routledge Companion to Arts Management . Routledge. DOI: 10.4324/9781351030861-28
- Lim, B. & Chua, L.C. (2019). Malaysia’s Theatre and its Circuit of Culture. Critical Stages. Vol. 18.
- 林國偉，范斯欣 ( 2019)「香港文化創意產業發展報告」。主編 胡利国《中國文化產業年度報告2018》，337-348。北京大學出版社。
- Lim, B. (2018). Representations of Hong Kong’s West Kowloon Cultural District by Local English Newspapers. Southeast Asia: A Multidisciplinary Journal. Vol. 18, 44-54. UBD FASS.
- Lim, B. (2018). Postmodern Self-Reflexive Drama and the Deconstruction of Space - Case Studies from Singapore, Malaysia and Hong Kong. In V. Fekete and Z. Uličianska (Eds.),Contemporary Drama and Performative space: from Playwriting to Immersive Theatre, 115-135. Theatre Institute Bratislava.
- Lim, B. & Tang, S. (2018). Queering Singlehood in Mainland China. JOMEC Journal, Vol. 12, 70-81. DOI: http://doi.org/10.18573/jomec.176
- Lim, B. (2017). Community Efforts of the Umbrella Festival. CultureWork. Vol. 21(4).
- 何慶基，林國偉（聯合編輯，2017）《藝術與社群》。 香港中文大學文化及宗教研究系出版。
- 何慶基，林國偉（聯合編輯，2016）《中介位置》。 香港中文大學文化及宗教研究系出版。
- Lim, B. (2015). Entertainment Studies - A Perspective. AIJRHASS, Vol. 10(1), 7-11.
- Lim, B. (2014). Inculcating Arts and Entertainment Management Skills in Performing Arts Students. Journal of Performing Arts Leadership in Higher Education. Vol. 4, 24-31.
- Lim, B. (2006). Existence – a play by Benny Lim. The Fun Stage Limited.
- Lim, B. (2021). Coronavirus Disruptions to the Private Higher Education Sector in Malaysia. In K. Bista, R. Chan, A. Ryan, & J. Mckeown (Eds.). Global Higher Education During COVID-19: Policy, Society, and Technology. STAR Scholars.
- 林國偉，樊靜怡，解柯楊 ( 2021)「香港文化創意產業發展報告」。主編 葉朗，向勇《中國文化產業發展報告（2020～2021）》，227-241。 社會科學文獻出版社。
- 林國偉，楊儒，錢偉嫻 ( 2021)「香港文化創意產業發展報告」。主編 葉朗《中國文化產業年度報告2019》，283-293。 北京大學出版社。
- Lim, B. (2020). Cultural Tourism as a Way Forward – A Critical Evaluation of Top-down Tourism Management in Malaysia. Assumption University eJournal of Interdisciplinary Research, 5(1), 1-11.
- Lim, B. & Ser, S. H. (2020). Cultural Management Education in Southeast Asia. International Journal of Indonesia Education and Teaching, Vol. 4(1), 10-25. DOI: https://doi.org/10.24071/ijiet.2020.040102
- Lim, B., & Soetantio, R. (2019). The Sail Model - Professional Pathways for UI/UX Designers in the Digital Age. Southeast Asia: A Multidisciplinary Journal, vol. 19, 86-94. UBD FASS.
- Lim, B. (2019). Postmodern Approach to Curating and Managing Arts Festivals in Global Cities. In W. Byrnes & A. Brkic (Eds.), The Routledge Companion to Arts Management . Routledge. DOI: 10.4324/9781351030861-18
- Cheng, M., Chou, W.I.R., & Lim, B. (2019). Fundraising Classical Music – Case Studies from Hong Kong and Macau. In W. Byrnes & A. Brkic (Eds.), The Routledge Companion to Arts Management . Routledge. DOI: 10.4324/9781351030861-28
- Lim, B. & Chua, L.C. (2019). Malaysia’s Theatre and its Circuit of Culture. Critical Stages. Vol. 18.
- 林國偉，范斯欣 ( 2019)「香港文化創意產業發展報告」。主編 胡利国《中國文化產業年度報告2018》，337-348。北京大學出版社。
- Lim, B. (2018). Representations of Hong Kong’s West Kowloon Cultural District by Local English Newspapers. Southeast Asia: A Multidisciplinary Journal. Vol. 18, 44-54. UBD FASS.
- Lim, B. (2018). Postmodern Self-Reflexive Drama and the Deconstruction of Space - Case Studies from Singapore, Malaysia and Hong Kong. In V. Fekete and Z. Uličianska (Eds.),Contemporary Drama and Performative space: from Playwriting to Immersive Theatre, 115-135. Theatre Institute Bratislava.
- Lim, B. & Tang, S. (2018). Queering Singlehood in Mainland China. JOMEC Journal, Vol. 12, 70-81. DOI: http://doi.org/10.18573/jomec.176
- Lim, B. (2017). Community Efforts of the Umbrella Festival. CultureWork. Vol. 21(4).
- 何慶基，林國偉（聯合編輯，2017）《藝術與社群》。 香港中文大學文化及宗教研究系出版。
- 何慶基，林國偉（聯合編輯，2016）《中介位置》。 香港中文大學文化及宗教研究系出版。
- Lim, B. (2015). Entertainment Studies - A Perspective. AIJRHASS, Vol. 10(1), 7-11.
- Lim, B. (2014). Inculcating Arts and Entertainment Management Skills in Performing Arts Students. Journal of Performing Arts Leadership in Higher Education. Vol. 4, 24-31.
- Lim, B. (2006). Existence – a play by Benny Lim. The Fun Stage Limited.
